Since returning from my visit to Blackpool I have been asked several times by friends what I thought of the general standards of the Ballroom events.
First let me record what a wonderful Blackpool it was for me returning after a lengthy absence. I was not disappointed, and the emotion of witnessing once again the wonderful Empress Ballroom. The atmosphere for the entire week was electric with toe tapping music from Ashley and the Empress Orchestra which brought out the best in the competitors both in Ballroom and Latin American.
For me personally it was as though time has stood still to find myself back in my old corner to judge the Amateur rising Star Event. I still had to avoid the odd couple who thought I would move but didn’t.
The enthusiasm and competitiveness was very apparent and exciting.
So back to the question what were my opinions in general.
In the Amateur events I was aware of the enormous amount of talent but I would suggest the following points need to be addressed and will undoubtably enhance the quality required to become a Blackpool champion.
The hold in general from the Man is very restrictive the elbows behind the shoulders is expanding the chest and, in some cases arching the lower back. It is not giving the Lady sufficient space to create her natural curve and thereby restricting her freedom.
More importance should be directed to study leg lines on some of the modern choreography both in stationary and movement. A good dancer’s line is measured from the head down to the toes.
In many cases the couples are over choreographing the dances resulting in losing the characterisation of the dance.
Thoughts on today’s test dances.
The Waltz unfortunately is becoming a syncopated dance.
The beautiful Slow Foxtrot should be a dance of progressive curves with an occasional line figure as long as the music is kept alive.
The Tango in general is far too progressive and aggressive. The art of leg and foot characterisation which portrays the dance is in danger of being lost. I note many aggressive facial expressions, not in keeping with this dance. It is musically staccato but not stiff.
The Quickstep, less running in Promenade and outside partner actions would be an improvement. Perhaps we could water down the number of syncopated chasses, there are so many alternative actions that can make the Quickstep so entertaining and musical.
Viennese Waltz. I was very much aware of an unusual sway which in some cases reminded me of the Natural Samba Rolls.
Floor Craft. A very important part of being a successful competitor. I witnessed in the Under 21 event couples dancing up the wrong side of the Ballroom and cutting across the middle of the floor. With this in mind I am including an article I wrote on Floor Craft some years ago, which I believe could be useful for today's younger competitors.
My comments may seem rather harsh to the reader but most of the points mentioned were raised towards the minority.
As I said before I enjoyed every moment in the Ballroom and I am already thinking about my next Blackpool. After all it has been part a wonderful part of my life.
Anthony Hurley
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